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Breaking the Gummi Wall

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There's a sugary place in Seatle that's renowned for being the second-largest depository of chewing gum stuck to its wall.  Late last year, it was forced to clean up the colorfully disgusting surface due to health issues.  The concern wasn't the amount of sugar available, but more along hygenie issues.  While it sounds like the outlandish premise to a classic Simpsons episode, it's something that actually happened.

I'm only bringing this news up because it's tangentially related to the title heading, and figured it was too bizarre to pass up on search results.

By all rights, The Gummi Bears shouldn't have been as good as they turned out to be - a barely fleshed-out premise, influenced by a punny take on a candy, using character designs from the ruined concepts of The Black Cauldron (The Chronicles of Prydain which is currently being reconsidered for a revival, preferably done right).  For all of Lloyd Alexander's complaints about how the movie bastardized his work, the cartoon series' success skewed closer to his source material, and paid more attention to the more competent female role.  (A welcome inversion of the Trinity Syndrome, where the male lead's self-esteem is bolstered in contrast to the woman's ability)

However, what worked so well for the television screen was drastically neutered for the comics page.  Since the only purpose for acquiring a slot on the funnies (other than taking up valuable advertising space) was to retain copyright and produce public awareness of their property, it shouldn't have been surprising that such a fondly remembered series should be reduced to pandering to a childish audience.  Yet it still remains a surprise.

There aren't very many available resources for finding samples of Gummi Bear comics, since the few newspapers that carried them didn't keep them for very long.  As with most licensed properties, they were only kept around long enough to serve their purpose.  A cursuory survey of their strips show hardly any variance in their formula - being little more than one-off jokes set in a widescreen format that could've been put to better use, usually limited to just two characters, and with barely any dialogue.  Comics broken up into panels were even rarer, and just as unmemorable.

Yet there were a few instances of the comic being aware of their surroundings, as if the cartoonist was straining against the limitations of the form, and wanted to rail against the corporate structure bearing against them.  Showcasing a desire to expand the conventions beyond the borders of a daily strip, and maybe move onto long-term storytelling.

Or possibly, I'm projecting, and reading too much into what's basically just another flawed comic strip.

October Crisis Influence

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When it comes to Canadian domestic issues, there's a rather short list of disasters that've happened.  Apart from Heritage Minutes and documentary movies, knowledge about Canadian history is sketchy at best within their own citizens, and less memorable outside Canada's borders.  The notable exceptions being major headline grabbers such as the Lac-Megantic train explosion, the École Polytechnique Montreal Massacre and Mayor Rob Ford scandal, events in Canada is usually pretty quiet around here.

One of the defining moments in my country's history was the 1970 October crisis, the effects of which are still debated and contested today.  It may seem hard to believe, but there was a time when there were national terrorists from an extremist version of the PQ (Parti Quebecois) party, actively championing for French rights.  These guys got their message across by bombing mailboxes, which made people understandably nervous.  Around the same time that home delivery mail was being phased out for community mailboxes, I made the tasteless question of asking "Where's the FLQ when you need them?"

As if kidnapping a British trade commissioner wasn't enough, they decided to up the ante by kidnapping the Minister of Labour.  From this point on, stakes are raised and tensions rise.

Pierre Trudeau executed the War Measures Act, and started rounding up all members and potential members - anybody who had potential relations with the FLQ, and had them locked up.

Upon discovery of the ambassador's death, even the people who were on the FLQ's side couldn't condone their actions anymore.  Even though many of the people who were rounded up turned out to have superfluous ties to the FLQ, there was little doubt that the tactic used was very effective.

The War Measures act was the only time it was implemented during peacetime, and while the majority of people were for its use, there were complaints later on due to the large amount of police brutality in response to a perceivable threat.  Arrested citizens were held for a week without due process, and could be imprisoned for another three weeks.  In response to rising tensions, Prime Minister Pierre Trudeau uttered one of the most memorable political lines this side of Fuddle-Duddle and "A proof is a proof".

In his summary of Canadian elections, MightyGodKing wrote in his footnotes,
"It is worth explaining that Jean Chretien embodied one of the central principles of Canadian politics, which is that for all that the world thinks of us as nice and polite, we inevitably vote for whichever political leader seems like the most capable bastard. Chretien was a ridiculously capable bastard."
While in power, political leaders can be under threat of being targeted, such as Jean Chretien's late-night break-in (who was stopped by his wife) and the Ottawa shooting at Parliament Hill. However, once their term is over, they're pretty much on their own.  Unlike Presidents who continue to be guarded for life after completing their service, Canadian Prime Ministers revert back to being citizens without protection.  It's not unusual to see one shopping, taking public transportation or ordering fast food in public, though it can be a little jarring.

In exchange for the safe release of James Cross, the people responsible for the kidnapping were exiled to Cuba as per their demands, believing that the Communist Castro government would be sympathetic to their cause.  They escaped, but the reality of the Castro regime was far from their expectations.

While people were voicing loud complaints about how innocents were treated, they were strangely silent regarding the perpetrators who were left unpunished.  Just recently, around the time Justin Trudeau revived the Liberal Party away from Harper's strongarm scare tactics, one of the first laws they overturned was revoking the citizenship of people accused of terrorism.  While their intentions were in the right place, the execution left a sour taste in some people's mouths.  The general consensus was that if you committed an act contrary to the values of Canada, then you've forfeited your rights to be a Canadian, and shouldn't be considered a citizen anymore.

The FLQ didn't just target mailboxes as an outlet for their frustration.  They also performed attacks on the Montreal Stock Exchange, City Hall, the RCMP, recruiting offices and army installations.

I only bring this history lesson up because of something I recently read; Violence Jack, the most Go Nagai-ish Go Nagai Manga ever made.  Go Nagai works tend to be filled with  reprehensible leads, villains, side characters and outrageous concepts played in a sadistic cartoony manner.  Violence Jack is a post-apocalyptic Manga of epic proportions.  Japan basically goes straight to hell after huge earthquake, which leaves it a deserted wreck.  Every Mad Max cliche you can think of is conveyed here, from punk-armored wearing fetish biker gangs to plucky orphaned children to scandalous torture, abuse, and sexual threats aimed against women.  And that's not counting the flashbacks to horrendous events before the devastating earthquake that reduced all of Japan to a savage wasteland.

Around this time in 1969, there were multiple student protests and riots in Japan over campus policies and Vietnam.  Shortly after being introduced to a revolutionary group, a fugitive murderer, Saotome Mondo starts off by kidnapping an American ambassador...

...delays on giving any specific demands for the ambassador's safe return...

...starts blowing up several army outposts...

...parades the ambassador around in a tank...

...while... well, I'll let the headlines speak for themselves.



Then, shortly after the ambassador is found left for dead, the police are called out in force...

...who righteously take down the remainder of the gang, while the leaders elude capture.  (Though they're arrested later, wearing paper-thin disguises)

Violence Jack started sometime around the 1970s, and the October Crisis happened in the 1970s.
It's not entirely implausible that a documentary about the kidnapping caught Go Nagai's eye, but if it did, the timing for influence certainly fits.  It's somewhat strange to notice a distinctive Canadian influence in an otherwise nihilistic work, when the majority is largely limited to American/Japanese media.  It's like discovering an ugly unicorn in a world of My Little Shetland Pony.

Pregnant Pause

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Just a few years ago, the limit for humanity seemed to be 5 billion.  Then it was raised to 7 billion, and now, even 9-11 billion doesn't seem like much of a reach.  When my sister got married, I respected the fact that they chose not to have a baby.  The Earth already had too much of a population explosion, and another kid around the house would be more trouble than it's worth.
That, and I didn't want to share attention away from myself.
But then five years later, some kind of Biological clock switch suddenly flipped, and my sister decided to join the ranks of the statistically deprived.

While this doubtlessly made my parents happy, this news filled me with an air of impending doom.

My sister is one of the few people that I connect well enough to share my inner thoughts with, and can have meaningful conversations with over shared interests.  Having a baby around would mean she'd have less time to spare for the extra library books I take out for her that I think she'll really like.  Not to mention having a toddler in the process of growing up would wind up damaging the numerous comics that I've helped accumulate for both of us.
My sister, in all her glory, before bloating up.
But mostly, it's because I'm phobic about babies in general.
A close-up of my sister's unique shirt...
I've always dreaded being in the presence of children, because their sudden movements are too unpredictable and uncontrollable for me to react.  Furthermore, my number one fear is that I'll do or say something that could potentially corrupt their impressible young minds.  As much as they might look up to me for my sense of humour, my lifestyle isn't exactly something they should strive to emulate, since I'd be simultaneously the most mature and immature adult they'd ever know.  I'm more a model for a cautionary tale than anything.
Which looks a lot like those foam fruit protectors.
Assurances that I'll be a wonderful Uncle aren't very reassuring.  I have no experience in that field, and doubt that I'll overcome my anxiety anytime soon.  Just because women have been having children for generations is no excuse for my naive inexperience.  One of my guiltiest fantasies regarding babies is to hang around the paternity ward during a lightning storm, and when asked about the gender (is it a boy or a girl?), to cackle maniacally, and proudly proclaim, "IT'S ALIVE!!" Scenarios like the above is why I shouldn't be trusted around children.  (Not that I relate to anybody within my age group anyways)
You can't look at these apples the same way anymore.
The plan was to keep my sister's pregnancy a secret until she revealed the big news on her social media.  However, the influx of hormones in her system made her continuously tired, and she wanted to draw a picture commemorating the moment, but kept putting it off.  At this point, keeping her bulging belly from being noticed is getting harder to ignore, and is pretty much general knowledge by now.  To make up for that oversight, I decided I couldn't wait any longer, and use the picture she drew on the card, commemorating her announcement.
(Chant - if you want to switch this self-caricature out, now's the time)
Even at this stage, I'm not 100% certain that the baby won't turn out to be flawed upon delivery.  Every expectant mother lives under the illusion that their babies would turn out perfect, but there are so many things that can go wrong.  It could be premature, it could be stillborn, it could be handicapped (my sister and I were both born Deaf), it could suffer from any number of potential death-related injuries or undergo a fate worse than death.

Some women cry when they hear their baby's heartbeat.  My sister took the opportunity to record the sound of the baby's heartbeat instead.  That's just an indication of how much things have changed since the old days.  People have become so accustomed to taking selfies they're now attempting doing them while driving, when the previous distraction worry was just texting. It's only a matter of time before someone decides to take the ultimate selfie by capturing their birth via cellphone.  Future hospital dialogue would likely be in the vein of "I - ugh - I can see the head!" all while holding the instrument of vanity aimed at their privates.  That'd be an unfortunate home video quite difficult to explain for any unsuspecting soul who'd find it.

On the plus side, my sister's deafness has the unintentional advantage of being unable to hear her child's overnight cries.  That should make sleeping much easier for her.

Even so, I compiled a list of universal constants that, baring a sudden shift in evolution, should withstand the test of time for... a decade or two, assuming humanity lives long enough to survive past then.

You'll attempt to show your favorite children's movies (and pre-screen the latest releases to ensure they're suitable for your kid), but the things children get scared of may not be the same disturbing things seen on the screen.

Your kid will be a constant purveyor of TV shows and movies that'll be watched repeatedly, beyond the scope and limit of what you'd consider reasonably acceptable.

Your kid will not believe that there were novelty comics / books / cartoons / movies that were better than the current stuff, and that the people who created such timeless classics are dead, or about to be dead.

Your kid will develop its own interests, which will drive you nuts, since you'll get repeat requests for toys along those lines.  If you can't provide, you'll have one unhappy customer.

Your kid's interest in these various forms of entertainment will reach fanatical levels that will last a lifetime, or peter out and die, once they've gotten used to the formula, and move on to more stimulating things.

Your kid will suss out the plot points to many old TV shows and movies that existed before their time, in order to catch up on many pop-culture references.  Either through osmosis, word of mouth or a general promiscuity for spoilers.

You will struggle to maintain your opinion from the "helpful" influence of well-meaning friends and family members, who may have conflicting ideas of how to best raise your child.

You will be continuously astounded by how smart and stupid your kid is; retaining astounding amounts of trivia while remaining remarkably ignorant on other issues.

You'll struggle to wrestle your child's attention away from the shiny allure of latest technologies, which they'll instinctively master.

You'll attempt to shield your child from the harsher realities of the world.  Up to a certain point, this will work, but eventually, your kid will find out these things, whether you like it or not.

Your kid will be an adept mimicker, aping aspects of its parents... up to the day it'll rebel and enthusiastically decide NOT to follow in your footsteps.  Enjoy it while you can!

Your kid will ask questions you won't have answers to.

Your kid will attempt to keep secrets from you.  Chances are, you'll find out about these secrets yourself, and you'll be split on deciding to play ignorant, and let your kid think they pulled a fast one on you.  If the situation is serious enough, you'll want to confront your kid over these issues before they become a blown-out problem.

You'll also have to learn about deciding when to give your baby reins of control over your lives, and when to put your foot down, no matter how painful it may be in the short term.  Being a parent means setting rules with boundaries, making sure those rules get enforced, and that there are consequences for breaking them.

April's Full of Secrets

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Just a little explanationary exposition first: while April First is generally known for spouting outrageous lies ranging from Spaghetti Trees to "The Red-Haired girl is waiting at the door to give you a big kiss!", in French-speaking countries, the holiday is used to prank unsuspecting people by placing a paper fish behind their back, and proclaiming "Poisson D'avril!" (April Fish)  It's equivalent to putting a sign saying "Kick me", only smellier.
After that, the remaining April strips are an exercise in perplexity.
"Why do I always have to play in the outfield??"
I think this is supposed to be a reference to cornfield mazes.
"You're mistaken, there's shortcuts everywhere."
"That's what you think!!"
"You're fooled, little kitties!  The jug is empty!"
"How can they be so stupid?"
"Yew payin' yore tab?"
"No thanks!  I gave at the office."

The Baby Herman Game

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Just recently, I've been instigated* into the secret matriarchal ritual known only to women.  I helped out by setting up a game for my sister's Baby Shower.  This game was an exercise in simplicity - the guests would be equipped with half of an accompanying comic.  One side would have the pictures and the other half would have the text.  And the challenge would be to match the appropriate image with the appropriate text.

The decision would have to be considered carefully, because in some instances, the answer could wind up being rather nonsensical.  While my sister would've intuited the answers instantly, she'd play ignorance in order to string the game along in favor of the guests who'd be less knowledgeable.

Finding the material for this game was something I'd be a natural at, having an encyclopedic memory for pre-1996 newspaper comics relating to any anecdotal analogy.  (Too bad there isn't a job posting for that)

But the actual process of completing the conditions for the game was surprisingly extremely hectic and stressful for me.  It wasn't the process of tracing down and finding relevant baby comics that was hard (That was the easy part)  It was having my choices whited down to a paltry number that would be suitable for the partygoers, who'd be bigger fans of Cathy or For Better or for Worse than Herman.  The problem being that there were very few single-panel comics of the former compared to the latter.  If it was simply dividing a comic in half and trying to fit the pieces of the panels together like a jigsaw puzzle, it would be an easier prospect.

My Mother didn't want to run the risk of alienating anybody who weren't avid experts in understanding comics, and opted for the safer route of one picture, one sentence.  (She's not much of a visual thinker, preferring to think in words instead)  Initially, I was dubious of her claims, as well as having the "answers" ready for anybody who wouldn't be able to figure it out on their own.  Other games included drawing a picture on a bib for future use, and a guessing game for what was inside a present-bag.  The purpose of this game was to serve as an icebreaker, making people who normally wouldn't talk to each other, find their mate, match up, and engage in meaningful dialogue.  The trick was to narrow down the available choices among the comics that could be widely applicable in multiple instances, and not restricted to specific punchlines.

After the vetting process, it was a matter of copying and pasting the numerous comics, first with text, then without.  Then typing up the missing text to be printed later.  Then printing out the pictures to make sure they weren't too big or too small to carry around.  Then making sure there was enough blank room at the for holes to be punched for thread to go around the wearer's neck.  There was some general confusion as to how I could punch holes without a hole puncher, until I showed that this was achieved by putting the edge of the cut-out into the edge of a regular 3-ring holepuncher.  This was an example of "being smarter than the problem".

After numerous test printings to see the results, we finally arrived at an appropriate size ratio.  Then I had to print out the final drafts onto high quality paper that would be suitable for the guests.  I suggested printing the pictures in one colour, and the text into another, so it'd be easier to tell them apart.

Then, when it came to making a test run of a card paper sample, I ran into an unexpected obstacle - my father was using the computer where the picture files were.  I never know how to approach someone working from behind, and also loath being interrupted in kind.  Even though this was my own dad who's never displayed any kind of physical violence towards me, I still felt extremely apprehensive about disturbing him.  I replaced the scrap paper in the printer with the single paper sample I intended to use, hoping that my actions would be noticed.  It wasn't.  His peripheral vision wasn't as good as mine.

I only managed to muster up some courage by wearing a back support belt tightly wrapped around my stomach area.  After awhile, I was able to calm down enough to ask permission to borrow the computer briefly so I could print out a sample on good paper, which would only take five seconds.  When I relayed my message, I told him that there was no need for him to log off his email account - I'd be out of his hair soon enough.  It wasn't until I looked at the printer that I noticed that he'd printed out some tax stuff on the very quality paper sample that I'd been meaning to use.

I couldn't help it - I started laughing more out of sheer exasperation than exhaustion.  Fortunately, there was still enough leftover room on the page to allow a single picture that would've otherwise taken up a waste of room.  With deliberate calculation, I was able to eke out a comic that juuuust dodged overwriting any confidential information.  As a result, Dad's got a very colourful piece of form material in his files now.

In the process of naming the baby-to be, the subject of family names came up, and I found out that one of my middle names was Armand, after an uncle, and was almost considered for my first name.  But it was turned down on account of sounding too much like Herman, which would've been problematic for a growing child being associated with the comic strip.  Ironically, the sheer amount of Herman comics I've memorized made me more of an accessory than anything.  Whenever an amusing story is mentioned in my vicinity, I'll reply with "That reminds me of a Herman..." (or Cathy / Doonesbury / Garfield / etc.) and I'll eventually find the result buried in the pages of the books I have.

As a result, I figured that instead of being called by my regular name, I'd rather be called Uncle Herman.
 *Technically, I was one of few reluctant male presences there - apart from a boyfriend driving over and a gay friend who stayed, .  (My Dad acting as cameraman didn't count)

Space Dumplings: Not Very Filling

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It must be exhausting to create as much material as Craig Thompson has.  His debut mainstream work was Goodbye Chunky Rice.  He reached brand name status with his autobiographical 600 page comic, the breakout hit Blankets. Then he followed that up with a 700-page Habibi.  Overall, he's done impressive awe-inspiring illustrations of stellar quality that's been painstakingly laboured over the course of years.

And yet, I find Thompson's stories to be lackluster as a whole.

Part of that distaste could be the subject material.  Craig Thompson's comics have been noted to touch upon the themes of sexuality and religion, which have been covered extensively elsewhere.  Another fair comparison is that he emulates Will Eisner's bombast dramatics and over-empathization, which I was never quite a fan of.

Habibi was an attempt to try to bring some beauty to Arabic storytelling in an age of rising tensions about anything associated with Islam.  For the most part, the narrative manages to be rather gripping, but after the two-thirds mark, it devolves into Osamu Tezuka realm, where an optimistic fisherman does the monologuing for the main characters.  Anybody who's a vivid reader of the Manga God should know what I'm talking about.  Further complaints were that the comic focused more on the beauty of Arabic writing, rather than on the meaning of said writing.

One of the worst criticisms a writer can get upon a reader finishing a seminal block of work is not retaining or remembering anything significant about what they've just read.  Even worse is when a casual reader re-reads a book on the shelf they think is a new title, only to slowly realize that they've already read it.  When a piece of literature has failed to make an impression on you, that's a bad sign.  After coming back to Habibi after so long, I could barely remember anything past the sparse significant events in the harem, the most notable one being "transforming water into gold".  For the most part, my general reaction was very much like the sultan's; "I'm bored."

By that same token, I found going through a recent Craig Thompson book more geared towards children, the modest in comparison amount of 300 pages, Space Dumplings to be another chore.

By all rights, the premise should be an attention-grabber.  In the far future, a A young girl, Violet, is living with her working parents, who are both in danger of being fired from their jobs.  The father is a trash collector, and her mother a fashion designer.  Despite their long hours, they manage to make time, even though their attention puts them at risk for neglecting to pay attention to their little girl.  (The symbolism isn't hard to miss here)

The drama officially starts when disaster strikes where Violet's father is working, from space whales causing diarrhea spills, spreading slime and gunk everywhere in the vastness of space, infecting nearby plants and space outposts.  (Don't question it, just accept it)  Somehow in a sequence of coincidences, Violet's father manages to get himself literally swallowed by a whale.  As with Thompson's religious upbringing, there's an oblique parallel via Jonah's voyage.  I'm aware that religious metaphors are common staples of storytelling, but when it's made painfully obvious by being specifically pointed out by the characters in the story, it begins to grate on the nerves.  It isn't long before this natural disaster prompts the girl to go on a madcap foolhardy rescue attempt to get her father back, getting into trouble, and picking up some quirky friends along the way.  One of Violet's friends is very clearly a doodle from Craig Thompson's travelogue, Carnet de Voyage.

The other is a reclusive genectically modified snotty intelligent chicken who's more interested in doing solitary research than in engaging in potentially germ-rife outside environments.  No prizes for guessing whether he'll change his philosophy while being unwillingly caught up in the girl's adventures.  There's obvious setups, and then there's transparently naked intent.  To explain his existence, there's tales of a chicken rebellion for giving rationale behind his being.

It's not bad, but I need more substance than that.  Hardly anything is made use of this beyond explaining why there's an anthropomorphic chicken is wandering around, and only this chick and his father.  No attempt is made to explore the fallout over this rebellion of science gone mad.  Few works can be as overly insane as Fourteen, but that's not the point.  With such a condensed history, I should feel invested, but all I feel from this page is emotional manipulation.

And that's my main problem overall. - the whole comic dwells in social commentary that feels extremely ham-fisted.  The satirical background of a society more concerned with style over substance lands with all the subtlety of a rusty lead hammer.  I'm reminded of James Cameron's Avatar, better known as Dances With Smurfs, which despite its impressive box office results and hype being the next Star Wars, left no cultural footprint.  Thompson's lack of substance in his works would be ironic if he was more self-aware about his shortcomings.

When chicken Eliot finally confronts his long-neglected father, the family reunion is less than expected with Daddy issues.  The Rooster father reveals himself to be very much in the jerk genius vein, along the likes of Gendo Ikari, or Astro Boy's Dr. Tenma.

Ultimately, the matter of resolving the world-destroying crisis depends on getting a baby space whale back with its parents.

Granted, cartoonists' political leanings are generally easy to suss out, and their issues may bleed onto their works in noticeable ways that can either elevate or hinder the quality of the material.  (In other words, never go full Dave Sim)  When reading typical escapist fare, I expect more than a simple retread of familiar elements that's a basic stand-in for current events.  If there's something that sticks out in my craw, it can fill me with boredom and loathing.  This page of Elliot suffering a seizure is visually interesting, but nothing within the layout really resonates with me.

It's also the problem I have with easy-to-read children's comics, such as Owly, Ameila Rules, Tower of Treasure, Lunch Lady, and Amulet.  While they're fine and dandy for introducing the basics for words/pictures relations, sequential art and are age-appropriate for their intended audience, they feel devoid of content or feel too saccharine for my taste.  Overall, I'd say that what any budding reader would value in a story overall is authenticity.  If it doesn't feel emotionally real enough for them (all pretense of illogic aside) it won't grip them the way they're intended to.

And yet, Hilda and Zita the Space Girl for instance, are all-ages works that engage me in a way that I don't mind rereading that other titles don't deliver.  I suspect it's the use of humour that keeps me coming back. That's what's lacking in most of these children's works.  The highest selling point in a comic should be to get their point across in a funny way.  Humour is one of the universal constants, but can also be a huge stumbling block for translation issues, as well as the desire to be taken "seriously" as an art form, which may explain why so many American cartoonists want to distance themselves from childish associations.

Jason Shiga's Demon was created as a challenge to himself, to create a comic that was one page longer than Habibi.  Despite the fact that the two works are drastically different both in terms of artwork and story, I'm more likely to reread Demon, even though I've memorized whole swatches of the story, compared to the few pages in Habibi, simply because Demon is more engaging on an intellectual level.

Not that European comics aren't guilty of the same sins as listed above.  Many gag-centric comics have a basic premise that takes too much time on a whole page layout to get to the weak punchline, when half that space could do.  Most likely, I've been spoiled by mainly reading Asterix/Tintin albums.  The former took a basic blank slate child detective whose early amateur globetrotting adventures matured into timeless classics remaining relevant long past the political news that inspired them.  The latter was originally printed in a magazine aimed at an adult audience, before being considered suitable for children.  (The numerous clever puns was a bonus) Much like Alice in Wonderland's mythology, the intellectual level gradually rose so that what was once considered adult fare was now commonly known to be considered suitable to children.  Somewhat similar to how Fairy Tales with their dark undercurrents of cannibalism, threatening environments, and starving carnivores, were readily accepted through osmosis.  Rather than dumbing down material that could be considered understandable to younger audiences, just explain a complicated concept using very basic terms.  The two sound similar, but they're significantly different.  One is simply saying 2+2=4; the other is condensing E=MC2.

If we're going to present material that'll engage children, it should be intellectually stimulating and visually pleasing.  Tall order I know.  But that's all part of the challenge.

Pet Peeves: Name-Calling

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In the olden days of comics, the easiest way to know anybody's name was just to wait five seconds, and you'd find out either by them proudly proclaiming themselves in the third person or calling somebody else out .  (Usually to insult them)  For a long time, this was generally accepted to familiarize audiences (both old and new) with helpful recaps of past issues, surely a requisite for long-running Superhero Soap Operas.  (And possibly so the writers could tell interchangeable characters apart)
And this was back when there were only a dozen Deceptions.  The Autobots cast call took up two full pages.
For the most part, if a group of close people are already acquainted with each other, it shouldn't be necessary to constantly confirm the other's name.
"So, Mr. A, we're in agreement?"
"That's right, Mr. B."
Constantly repeating someone's name has less to do with familiarity and more to do with exposition and brand recognition.  If audiences know who has greater credit, they know who to pay more attention to.

Then Manga showed up and started changing the rules again.  For the select few series that were available, there were whole swatches of pages where iconic characters wouldn't identify each other by name for lengthy intervals, let alone announce their powers upon first appearance.  You had to wait before they would bother to reveal such heavily guarded state secrets until the time was right, once the proper introductory rituals had been followed through.  And instead of footnotes specifying which issues a significant event took place, you had background montages of that event instead.

Then we got introduced to the more mainstream commercial stuff, and found out that in the holy Mecca of Japanese comics, they were just as guilty of overwrought and lousy writing.  If you read enough, you start to notice certain patterns in Manga that continuously pop up that are just as tiresome in American comics.  What once was considered quirky can quickly become tiresome if it isn't handled well.

Oftentimes to lengthen out the pages, you'll have people spouting spotable cliches around every corner, highlighted with dialogue quirks and verbal tics, the most memorable being ending presentations with "This - this is!..." before cutting away elsewhere.  Other examples have lengthy scenes padded out to increase the page length/ running time.  This is best implemented with characters who will routinely spout out long speeches, with side character audiences spouting their names in awe.
They say Ryoko's name four times throughout this page alone.
At least it's not as bad as other Mangas where rival Manga characters will repeat their opponents' name out of fear that they might forget them.  (Clamp's X/1999 is especially guilty of this)  Akira's Kaneda and Tetsuo has been relentlessly parodied over this very trait, despite there being like 10 seconds or so of them screaming at each other.  Throughout the movie's 2-hour running time, that's ALL anybody seems to remember.

However, the good thing about noticing cliches is that it gives ripe opportunity to improve and expand upon them.  Rather than just have characters repeat the talker's name, use it as a way to try to attract their attention from their grandstanding.

There are various schools of thought for this kind of expositional storytelling.  You can embrace the old common traits routinely seen in fiction and use that as a crutch to overlay your story through reliable comfortable routes.  Or you can opt for a more experimental trailblazing style of storytelling never seen before.  With such high risks in braving the unknown, it's not surprising that many people opt for the path more taken.

You can be overly awed by the high production values of a classic, and feel inferior at even ATTEMPTING to create anything of that level, not knowing all the sweat and tears, countless revisions and fine-tuning to make that classic a classic.  On the other end of the spectrum are stories that were cranked out of sheer inspiration or desperation, and throwing whatever sticks without regard of quality, and being surprised at the results.  Then there's the low low low end in the guilty pleasure realm where disposable pulp trash are trotted out, where works such as Manos: The Hand of Fate, Plan 9 from Outer Space and the legendary Harry Potter fanfic My Immortal, a work of staggering ineptitude(?) that's inspired re-enactments, analysis and re-readings for being So Bad It's Good.  What makes these works outstanding is that they fail in ways that were never considered before and broke rules we weren't aware even existed.

The ironic thing is, as much as I've been impressed by high-quality productions, I've been more inspired by crappily produced low-quality guilty pleasure forms of media.  I'll be idly passing the time, reading a book or random TV episode/movie and think to myself, "I could do better than that!" And I wind up fantasizing imaginative sophisticated scenarios that far outstrip the events I'm currently seeing.  The hard part is putting all these improvised scenes into a coherent narrative that makes sense.

For all the derision fanfiction routinely gets, what's often overlooked is how much of today's storytelling is dependent from piggybacking on millennia of works inspired by retellings of other stories for "recent" audiences.  There's a long, longm LONG list of noteworthy titles all made possible via what would've been considered "fanfiction".  Even Cerebus which started out as a Conan parody was heavily influenced by Howard the Duck.  The two titles may have fallen out of favor due to uncomfortable association, but they were remarkably influential for their approach to counter-culture to this very day.

It's only by getting overly used to overused tropes that we can break down and subvert them to our advantage.  Lord Voldemort certainly wouldn't be considered as scary if he was constantly referred to as Ol' Whatsisname.  If you're aiming for Evil Overlord territory, you want to be remembered for your atrocities, not devalued away into redundancy.

The mark of a good writer is not predetermined by a certain amount of books they've read.  It's not qualified by when they've read 1000, 100,000 or 1,000,000 stories; but from internalizing more stories than they can count.  As the old saying goes, a bad writer engages in plagiarism.  A good writer engages in homages.

Though lately, things have gotten a little better nowadays.  One surprising thing Manga does well is having a surplus of popular nameless characters.  Breakout Characters are nothing new, but those are usually the result of having a brief period of some random guy being the epitome of cool.  It's not unusual for random doodles or outlines to gain sudden popularity from virtue of their appearance or actions alone.  Popeye became the lynchpin attraction after his first arc, negating the first ten years of Thimble Theater.  The spotlight stealer, Elmo reached international stardom after years of being a typical background monster.  And those are just the ones who've gotten names.  There are all kinds of unsung nameless characters, ranging from the Golgo-13 Sniper in Gantz, to Tetsuo's Pompadour assistant in the 2nd half of Akira.  They seem to appear out of the aether, make a lasting impression and leave.

Commercial Comics Adaptions

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When it comes to advertising a product, it's not a bad idea to use as many promotional platforms as humanly possible for maximum exposure.  Unless your product stinks, then you'd be better off playing it safe, and use the same old formulas you're familiar with.  The problem comes when time-sensitive material starts outpacing the era they appeared in.  For example, this old Crest pump commercial combined hand-drawn animation with stop-motion claymation.  You'd have to look long and hard to find a more time-consuming animated method, all for the sake of a 30-second slot to draw excitement over the latest technological marvel in toothpaste disposal via a pump.  (Not just limited to shoes!)

That self-confidence booster over the simple accomplishment of not getting any cavities combined with all the celebration of a Hollywood award show was simplified below, and added a boy for further identification material, I'm guessing.  (Or a callback to the first Hooray commercial)

There are several articles about old advertisements, but not many about those that were adapted into comics.  I figured somebody should talk about those ads.  And that somebody would probably be me.  Of course, it turns out I'm not the only one, since the most likely culprit of such ads are regulated to sugar commercials.

The above condensed the inherent zaniness of Candilicious into a single page.

These ads would be fine enough on their own, but they were little more than weak adaptations to the source material, and thus, would lose much of their potency being far removed from the memory of their airing dates.  Though some ads, such as The Flintstones sharing a casual smoke are best left forgotten in favor of higher quality material:

On a nostalgic article I can't seem to find, it mentioned that there were two very different Barney Rubbles.  You had the normal easygoing Barney on The Flintstones, who was something of a slow intellect.  But when it came to Cocoa / Fruit Pebbles, he became a talented trickster, constantly finding new and creative ways to trick Fred Flintstone out of his breakfast cereal through paper-thin disguises.  (Usually with Dino helping for some reason)  The fact that they used Bugs Bunny's voice may have had something to do with it.
A purvey through a comprehensive collection sees many of these attempts were unsubtle tie-ins to popular animated movies.  (I won't name names, but many of them seemed aligned with Disney cartoons)

The key rhyming word alerting Fred's radar is slightly different in the comic and the cartoon.
In the cartoon, it's "trick Fred", while in the comic, it's "my bowl".
Sadly, when Mel Blanc died, the legacy of future Pebbles commercials died with him.  They were replaced with the Flintstones' daughter promoting the things, but despite the name similarity, it wasn't quite the same.

The guiltiest pleasure of these commercials is how they distill the enjoyment of a typical Warner Bros. cartoon into a single bite-sized segment.  Early Sugar Bear commercials had him hulking out on a sugar rush to recover his stolen cereal, before moving on to the calm deadpan bruiser he was more remembered for.  They don't make cereal commercials like these anymore.

Also, check out the commercial versus the Ninjas at the 6:12 mark where he passively-aggressively dodges ALL the Ninja moves without using a single Vitamin-packed PUNCH.  Most likely, this was a subtle jab at all the Soccer Moms complaining about the use of violence in children's TV shows, particularly those that focused on Mutants.
Strangely enough, the bees commercial isn't included.
For that, you'd have to check out here:
I'm just annoyed that the only way to find out what happened with the villain team-up near the end was to actually purchase the damn cereal itself.  This was a pretty common occurrence, starting with Capt'n Crunch and the Soggies (crossing over with Spider-Man), and extra promotions, such as prizes inside cereal boxes, extra marshmallows, or more sugar packaged inside these complete breakfasts.  (Strangely enough, there were never any extra vitamins, since they probably figured 12 were enough)

A welcome exception for this was the Cocoa Puffs where Sonny was tangled in a debate over which element best represented the cereal; the chocolate or the Crunch?  Going into a Referendum was a welcome change for Sonny who was usually forcibly enabled to try Cocoa Puffs that made him extremely hyperactive with excitement.  The above comic misses some of the amusing little touches, such as Sonny crossing his arms, fingers pointing in both directions at being unable to choose, the king breaking down crying, and rivals on both sides, pouring choice cereal into Sonny's bowl, one being slightly annoyed at spilling some cereal, from Sonny moving his bowl away to the other side before going back to the center where he would receive a "fair encouragement" to swing his vote.

As I'm missing the 2-parter commercial, here's the "prequel" where the villagers of Hushville are at first resistant to the sound of crunching cereal that's louder than a simple Snap Crackle or Pop.  (Incidentally, there was also a series of Rice Crispies commercials where the elves were kidnapped by monsters on the premise that "Food should be eaten, not heard!" and got out by their sound effects alone)

As it turns out, given the choice between chocolaty taste or the loud CRUNCH it'd make, the poll results, were announced with the King taking a bite of the latest cereal, revealing a regular "crunch.  A crunch that wouldn't've been out of place in the old Hushville, eliciting an audible GASP from the crowd.  Showing that between the two, sound wasn't the deciding factor.  Not that the company would admit to keeping the only element of their cereal that made it popular in the first place.

One of the strangest usage of Commercial Mascots is showing them unable to sample the very product they're selling.  (The other, being anthropomorphic representations of the product they're selling, like M&Ms, Kool-Aid and Mr. Peanut, the ultimate corporate sellout)  The biggest offenders of this is The Trix Rabbit (not to be confused with Nestle Quik's Rabbit), the Coooooookie Crisp Dog & Thief as animated by pre-Playboy (now ex) artist Dean Yeagle.

And then you've got Chester Cheetah's Cool Rules for snatching those elusive snacks.

Strangely enough, despite his first outings, all later failed attempts to snatch a bite of those elusive Cheetos were never numbered.

His first appearance had the formula pretty much nailed from the start.  He would appear all nonchalant until he noticed some passing stranger downing some prized Cheesy bits.  At which point, he'd go absolutely ballistic with excitement, then cool down and make his way towards the target, only to wind up short of achieving his Zeno's Paradox goal.  Despite not acquiring his intended target, he never loses his composure upon failing.

When these comics came out, they were little more than additive supplementary material with alternate interpretation of the same product.  But as time moves further away from their original airing dates, the collective memories of tying the two disparate elements together also becomes further disconnected.

Nowadays, if you're going to be seeing cereal commercials, you're more likely to see them on Prime Time instead of Saturday Morning Cartoons.  Not that SMCs exist anymore, having been squashed into redundancy from all-cartoon channels, which made cartoons a respected medium, but the trade-off was fewer cereal cartoons.  Back then, going for more sophisticated tastes would mean eating so-called boring cereals, such as Raisin Bran, Cream of Wheat or Shredded Wheat.  Even the double-sided Frosted Mini Wheat commercials that once aimed at both kids and adults now ironically uses a cereal mascot that's more likely to be seen on Prime-time dramas.  Even weirder, there are two different national representations of the Frosted Mini Wheat mascots.

Even the Honey Bee is a staple on late-night viewings, which is a far cry from back when he used to cross over with Godzilla.

Good Night, Sweet Prince

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This has not been a good year for entertainers.  David Bowie, Alan Rickman, Harper Lee have all died within weeks of each other.  And now, the musician Prince has joined their number.  Best known as a hyper-flamboyant male/female icon his unpronounceable symbol was best summarized as "The man formerly known as Prince".

I wasn't much of a fan of these musicians, though from the online grieving loss, there's a palpable sense of loss that such blatantly open expressionists would never be seen again... until the next breakout composite weirdo breaks through.  You may laugh, but someday, Lady Gaga might be looked back with fondness.

Of course, it's difficult for me to understand such admiration and devotion towards someone's work I have no familiarity with.  It's like a blind person hearing respect for a well-known caricaturist along the likes of an Al Hirschfeld.  They may have heard of their reputation and be surprised to hear they were still working on their craft, but any knowledge or respect of their works would be far beyond their comprehension.

I was surprised that going through MAD's blog tribute towards Prince was just limited to some artists' caricatures.  A search through their keyword only turned up some extra Don Martin Frog comics.  My only passing familiarity with Prince was in the pages of MAD's group satire of three select Blockbusters, drawn by various artists, as narrated by the definitive film critics, starting with GhostDusters:
Naturally, from their severe takedown of the musical movie (which I still haven't seen BTW) gave me the impression that this wasn't exactly something I'd be interested in seeing anytime soon.  One could say that Prince's comfort over his display of his blatant sexuality confused people who weren't sure which gender he preferred.  For some reason, androgynous musicians wearing puffy shirts made people nervous, which just further attracted social outcasts who embraced his outrageous lifestyle.

There was even talk of a Simpsons episode back in its glory years of a sequel to the former insane inmate who believed he was Michael Jackson that never followed through.  Both creative sides had conflicting opinions of how to best represent the Pop musician.  One such subplot was Prince being amorously involved with Selma, Marge's sister, and there's Lisa's attempt to get concert tickets that's bafflingly foiled by a dangling spider.  (What is it about Spiders& Hollywood?)

Speaking of his closest pop-culture equivalent, Michael Jackson, Prince, for all his status, never degraded to a nostalgic state.  He didn't pander to Michael's obsession of all things infantile for a childhood he never had.  That certainly wasn't the case with my only other experience with the famed musician from the 5th Marsupulami album, Baby Prinz.

In this volume where the titular Marsupulami was sidelined for the human cast, the main plot focused on the trials of the remaining heir of a long-running Palombian dictatorship that's having trouble keeping the population from feeling dissatisfied for being under an oppressed thumb after years of matrimony rule.
Another admirable trait of Prince was that he gave inspiring speeches for promoting other musicians who were just starting out.  Obviously, none of this is portrayed through in this less-than sterling rendition of The King's Speech.
When the revolution and outcry has died down, and the previous regime is overthrown, the vacancy is filled and replaced with an even more ruthless dictator.  So, the populace wound up getting what they wanted.  Yaaay?

While Prinz and his butler are on the run, the two of them get split up, Prinz being kept for safety in a cage with an old Marsupulami.  Eventually, the elder animal and the deposed prince escape into the jungle for safety.
 
After various adventures with a teenaged couple living in the jungle (I've left a LOT out), the deposed butler eventually comes across his former ward again, where they discuss potential plans for the future.

While there was the possibility of a comeback, Prinz never showed up again in any future Marsupulami albums after this.  Possibly there was threat of copyright infringement or lack of celebrity interest.  Certainly, there are more flattering portrayals out there.  I just don't know where they are.

Less Filling, Tastes Great!

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The week of Passover officially ends tonight, which also ends my weekly deprivement of my favorite foodstuffs, bread and pasta.  You'd think giving up one category of the food pyramid wouldn't be as challenging as giving up meat for a day, until you realize just how dependent you are on certain foodstuffs.
There's even gluten-free Matzoh now, which should be difficult to create in the first place.
You know what they all say:
Less Filling Tastes Great.
In order to get past this hurdle of consumption deprivation, there's several recipes to lessen the pain of withdrawal.  They're not exactly pasta substitutes, but they have potato starch in place of flour, which helps ease the baking process somewhat.

Making a peanut butter & jam sandwich with dry matzoh bread risks getting a lopsided result from the unbalanced fruit bits sticking out, and getting crumbs all over everything.  If creating flaky PBJs isn't your kind of thing, you could always put something else on them.  One required suggestion is to put egg salad on them to make them tastier.  I always prefer using Egg Matzohs anyways.

Of course, there's the definitive Passover appetizer, Charoses (pronounced Ka-ro-set).  For that, you need the following:
  • Apples
  • Walnuts
  • Raisins
  • Cinnamon
  • Brown Sugar
  • Grape Juice
Grind the apples and walnuts in a blender.  (Separately, and chop the apples up so the slices will be easier to blend)  Don't leave the apples in the blender too long, lest they'd be reduced to juice - we want pulp.  The nuts can stay longer until they've been reduced to dust.  Scoop the contents of the ground apples & nuts into a large bowl.  Soak raisins in water, and let them gain extra wrinkles for awhile.  Add raisins, Cinnamon and brown sugar to the mix.  Depending on the concoction, feel free to add more apples or nuts depending on the consistency of the mix.  If it's too soft, then add more nuts.  If it's too hard, add more juice.  If it's too sour, add more sugar.  For years, we added plenty of sugar and Grape juice due to the walnuts being so bitter.  This year, the walnuts weren't past their sell-by date, so instead, we used the water from the soaked raisins as well.

Once you're done, put the brown mixture in the fridge to ferment overnight.  The next day, you'll have a representation of the mud the slaves used to slather on bricks.  Surprisingly enough, this concoction goes well with egg salad.  Try it!

Being on a pasta-free diet means no regular noodles in your chicken soup.  Instead, you have to get by with either eating it virgin, or using egg noodles as a substitute.  To make egg noodles, you need the following:
  • 4 eggs
  • 1/2 cup potato starch
  • 1/2 cup cold water
  • Salt & pepper
  • Vegetable Oil
Separate the eggs by putting the yolks in a separate bowl, and whisk the white bits (not the eggshells) until they're all frothy.  Add the yellow egg yolks to the egg whites and beat those up along with the rest of the ingredients.  (The oil in the mixture will make frying them easier, rather than lathering up the pan)  Make sure you keep stirring the mixture, lest the potato starch becomes as hard as cement.  Pour some of the mixture on a frying pan and cook it.  For some reason, the first batch comes out all ruined, but after that failure, every subsequent batch comes out perfect.  Fry and flip the fried eggs on the pan until they're cooked until you have no more egg mix left.  Take the pancake-like results you've got, and rather than pour maple syrup all over them, roll them up and cut them into pieces for your very own egg noodles.  I always found the resulting noodles to be too long for me, so I cut the rolled-up egg pancake in half horizontally, before making cuts vertically.

Of all the Passover meals, Tsimmes is normally reserved for Rosh Hashanah, but my mother always seems to enjoy cooking it for any Jewish festival, so I'm including it here.  Her particular recipe combines several into one concoction, which contains lots of the following:
  • Carrots
  • Sweet Potatoes
  • Prunes
  • Honey
  • Chicken
  • Beef
  • Onions
  • Salt & Pepper
  • Potato Starch
Peel the carrots (about 10 stalks) then chop them up into circles, or if circles bug you, rectangles.  Either way, make sure they're bite-sized.  The same should be done to the sweet potatoes (about two).  Throw in about eight to ten prunes.  Put the chicken and beef in any way you like.  The order doesn't matter.  The onions can be left whole.  (Just remove the peels beforehand!)  Pour half a cup of honey in, then use warm water to extract the leftover bee barf.  We don't want to waste any potential sweetness, but take care not to use too much water, lest the stew becomes too liquid.  Cover the pot and put it in the oven on 325 degrees for three hours.  After that, uncover the pot and add some corn starch in water on top.  Cover the pot and put it back in the oven for another hour.  If left uncovered, it'll become all crusty and black.  Altogether, this slow-cooking recipe takes 4 hours to complete, which explains why it's not prepared often.

For desert, you could always simply purchase Kosher food.  Or, you could take the more difficult path, and prepare some Matzoh Buttercrunch of your own.  To make some, you need the following:
  • Matzoh that'll fit onto a large flat pan
  • 1/2 to 1 butter stick
  • Brown sugar
  • Chocolate chips
  • Chopped toasted almonds (optional)

Cover the pan with aluminum foil, and spray the foil with nonstick cooking spray.  Cover the sheet with Matzoh, breaking pieces to fill the holes if necessary.  Melt the butter in a bowl (but not completely) and mix the melted butter with the brown sugar until they're combined.  Heat the mixture until it's boiled for about 3 minutes.  Pour the buttery sugar over the Matzoh.  Try to spread as much of the stuff over the squares as you can.  Put it in an oven at 350 degrees for 10-12 minutes.  Don't let it burn too long.  When it's out, sprinkle chocolate chips over the toffee layer and let it melt.  Then spread the chocolate cheer around.  Sprinkle nuts over if that's your kind of thing.  Let it cool in the fridge.  They won't all fit, so you'll probably have to stack them atop each other.  After which, you can break them apart into smaller pieces.

The strange thing about these foods is that they look utterly unappetizing, but somehow winds up being more edible than you'd think.  But then, the same could be said for seafood, which despite looking like the most repulsive items alive, are actually some of the tastiest living things on Earth.

The Secret of the Nymph

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Hey!! You missed a spot!

Looking for something?
Yes... a clover.
Found it over here!
Now we can continue.
I fold.
For the uninitiated, 'Clover' is a 'Club' in French.
"Garage sale"
Every year, it's always so emotional, seeing the first flower of the season.
It's so meaningful and poetic at the same time!
...So small and fragile, the essence of pure truth!
*Sigh!*
Too bad their life is so fleeting! 

Paralyzed Snake's Revenge

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The snake from BC always seems to get the short end of the stick.  When he's not being unfairly marginalized or associated with apples, he's being specifically targeted and beaten into submission.  And when he's not being marginalized or getting himself tangled up into pretzels, he's being used as test subjects for pre-ASPCA means.  Then again, so is every other animal, but most especially the Snake in particular.

After years of being persecuted, it wouldn't be unusual for him to try to get a little payback.  But these instances usually wind up being unfairly lopsided in the Fat Broad's favor.

Even when he has the advantage of high ground, it doesn't take long for the tables to turn.

Occasionally, the Snake teams up with Peter to prank on her, but those likewise turn out with unfavorable results, and Peter always winds up scot-free of any consequences, leaving the Snake high and dry to pay the price for his misdeeds.


On other times, the Snake gets trapped on the ice and is unable to move any further from his current position.  This dilemma winds up with... various results.  Interestingly enough, the Snake only unsheaths his fangs under this situation, when they'd be multi-purposeful in any other circumstance.


Incidentally, this is the only time the Snake names the Fat Broad as something else, the Great Wide Hunter, which makes sense - animals aren't likely to recognize humans by their names, but their sounds, shapes and smells.  And any names they'd give us would be far removed from what we call ourselves.  I don't know any other instances of what the rest of the BC cast would've been called, but it would be interesting to find out.

On rare instances, the Snake ingests large amounts of inanimate objects as a way to get back at his eternal tormentor, even if it winds up harming himself in the process.

These repeat encounters begs the question: why is the Fat Broad so heavily against the Snake?  Could it be a deep-seated irrational bias from years of human evolution to distance themselves from outside unfamiliar species?  Could it be a dislike of all things green and slimy?  A dislike of snakes in general?

Or is she just irrationally jealous?

She He We

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One of the worst-kept secrets of literature is that children's books are just as viable sources of comics as any other Graphic Novel.  (Or as only I call them,Comic Paperbacks)

Maurice Sendak's Some Swell Pup has a higher concentration of comic panels than his other commercially known works.  Raymond Brigg's The Snowman and Father Christmas books are venerable classics, but aren't looked upon (or accepted) as comics, simply because they're classified in the British children's book category.  It was only recently that his more ambitious works such as When the Wind Blows and Gentleman Jim began to garner more respect among sophisticated circles, when they'd been readily acceptable for ages to their intended youthful audience.

And now, we've got She He We from the team of Lee Nordling and Meritxell Bosch from the Graphic Universe publisher.  I haven't seen their previous works of Three Story books, such as Bird Cat Dog or Fish Fish Fish, but there's little doubt that they follow a similar format as this one.  In it, a boy and a girl are playing in a park with their imaginations getting away with them.

The top row has a child engaging a fancy tea party as a fluffy pink bunny...

The middle row has a kid fantasizing as various flying creatures in a dark fantasy world...

...And the last row shows the reality they're actively engaging in.  Apart from the introductory and concluding pages that shows how the book can be read, each page is equally silent.  Either row can be read across for their individual storylines alone, but it's only by reading the full page that you get the full effect of the story.

Taken individually or altogether, you have the same scenarios - a goose flying around in the sky until said bird spies somebody having a picnic, and plops right in the middle of the blanket.  The situations are similar, but the circumstances are different.  The bunny attempts to resolve this interruption by giving a peace offering.  However, through fowl eyes, a cup of welcoming tea turns into a brew of poisonous sludge unsuitable for drinking.

The book is reasonably short at just 32 pages, with minimal re-readability of the children hijacking each other's fantasies at various intervals, just ruining their playtime.  The constant interruptions forces them to work around these obstacles and hopefully, try to reconcile the opposing viewpoints without ever acknowledging or knowing what the other's thinking.

Some people might take offence to the children playing to certain stereotypical gender roles, but that's purely up to the reader's opinion, who shouldn't have to feel guilty about conforming to social norms.  If they feel comfortable in the roles they've chosen for themselves, who are we to dissuade them of what they're more used to?  If they want to play with dolls, let them.  If they want to play with trucks, let them.

Normally, it would be against my nature to post potential spoilers for a new piece of work, but since children's books are generally looked down upon even among comic newssites, chances are most aren't even aware of the title in the first place.  For the sake of driving interest in this graphic field, I'm willing to make an exception in order to further drive my point home, It's necessary to show the two penultimate pages to garner further interest in making my point.

As I've been saying all along, perfectly normal.  It's not as ambitious, as David Macaulay's Black & White, which had four individual stories that were actually differing viewpoints of the same story, with a stripped burglar playing a presence through all four stories.  But it's still enjoyable enough on its own.

Birth of Nick

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Nick of the Adam Family (not to be confused with The Addams Family) has been a staple for so long it's hard to remember a time when he wasn't part of their household.  A quick purvey through some old newspaper archives should rectify that.

When preparing for the upcoming pregnancy, Adam did trial runs to make sure the process would run smoothly.  They went as well as could be expected, and probably weren't repeated.  Given what happens next, they needed more practice.
The next update involving the expectant mother happened to occur on October 4th, during the Football season at the most crucial cliffhanger moment.


This football plot thread was quickly abandoned two days after the Sunday comic in favor of more intriguing drama.




During the labor process, Adam tries to be as helpful as possible.  The key word here is "possible".




For the uninitiated, Vince Lombardi and Tom Landry are Football coaches, clumsily shoehorning the Football subplot back in.  These comics were left out of the book collection, which goes to show that not everything left out is solid gold material.


Oops.

I was unable to find the throwaway panels for this one, so you'll have to fill in your own jokes here.


Sometimes when padding out a storyline to fill a week, you wind up with clunkers, and this is certainly one of them.

Up until this point, the gender of the baby was still unknown.  There was also dispute over what the unnamed infant-to-be should be called.  Katy & Clayton's suggestions of Vanna, Mad Dog and Cobra were rightfully ignored.


License Request: Key Moments in Comics History

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One of the greatest joys while book-hunting is making valued finds in out-of-the-way locations in second-hand bookstores.  I once found some old Pogo books that were available for their cover price of $1.00 each.  (Some of which I've postedbefore) Then there's printed collections of stuff no longer available online, such as Jesse Reklaw's DreamToons (people's dreams retold as humourous comics), and a Harry Potter fanbook with amusing comics by Johane "Horus" Matte and Katie Shanahan & "Shagster".  Among these finds was the discovery of a minicomic; Key Moments from the History of Comics.

This illusionary thin square book consists of a single image and a description on each page.  There were only a thousand printed copies for the Toronto Comic Arts Festival, May 2009, so stumbling onto this was somewhat of a stroke of luck.  The English translation is actually a compilation of two books, 28 Moments Clés de l'Histoire de la Bande Dessinée and Nouveaux Moments Clés de l'Histoire de la Bande Dessinée, both by Francois Aryoles, but published by different publishers.  (Le 9eme Monde [2004] and Alain Beaulet [2008])

For the most part, with little prompting, several names are easy enough to link to their prospective field alone, but others aren't quite as obvious.  Gustave Verbeck isn't instantly recognizable as a household name, but The Upside Downs of Little Lady Lovekins and Old Man Muffaroo would sound more familiar.

If there was a scientific equivalent, it would be along the likes of "Nikola Tesla strokes his cat." By itself, this sentence would seem unremarkable, until you realize that Tesla's obsession with electricity started with being fascinated by the sparks flying off his cat's fur.  Unless you have knowledge of the cartoonist's background history and their achievements, most of the subliminal context is lost.

In fact, the one stumbling block would be that there's a high number of European artists that would be unknown to typical American audiences unfamiliar with exploring outside their comfort zone, most of the artists originating from Pilote Magazine.  The only woman mentioned, Claire Bretécher, is a famous feminist along the likes of Cathy, but with more biting political points.  Another comic history of cartoonists, Masterful Marks: Cartoonists who Changed the World was notably absent in any mention of influential women in it's pages, focusing more on middle-aged white men.  Surely there must've been other people worldwide who had just as much of an impact, but I suppose it's easier to look up historical facts regarding men.

From the wiki, it's well-established that Maurice Tillieux was all set out to do contribution to the war effort via his tour of South America, until a plane bombed ahead, forcing his ship to turn around and go home.  While this incident might have saved his life, there's no way to tell.  But his passion for telling stories centered around docks or the sea certainly made a lasting impression.

When I did a tally, I found there were about 8 artists missing from the first book, and more than a dozen from the second.  An expanded and complete version with reference notes in the back detailing who each cartoonist was, and their known history would help in explaining some of the more obscure references for those of us not fully versed in European Comics.

Return to Orbit

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It's been a long time since I've delved into the adventures of Orbit& Co.  I've been scouring over old newspaper archives trying to fill in the holes after their last expedition.  Along the way, I was continuously sidetracked by other comics that I figured could be saved for posterity later.  Then I noticed later comics that gave earlier comics more significance, and then had to go back and find the comics page again, costing me more valuable time.
An early comic I managed to find,
back when Orbit first met Tyrone.
One thing that struck me while going through so many old comics was how exhausting and mind-numbing the experience was.  If a newspaper happened to be missing the date to a specific strip, I'd have to look into another newspaper, which might have their own varied comics, which'd I'd notice, involve more cross-referencing, have to take note of, and then start the whole process all over again.  In some cases, I might find a better copy of a comic I found, and then replace those with higher quality versions.

It doesn't help that I'm not exactly meticulous in keeping track of which days/months/years I've already gone through.  In some cases, it's easier to just start later in a year, then work your way backwards.  Since that involves breaking up narrative flow, I haven't dared to venture down that path.







The philosophical paradox of Theseus having all parts of the ship being replaced aside, Tyrone is already contemplating mutiny despite not knowing how to control a spaceship.








Even though this Sunday comic actually shows up a day earlier, I posted it here, because it segues into the next strip better than the last one.





Around her is where the last adventures of Orbit trailed off.  From here, it's venturing into familiar uncharted territory.








I've already got a month's worth of Orbit strips all lined up and ready to go, but I hesitate to post them up too soon.  I'd like to go back over the newspaper dates I've already covered, trying to find an elusive Hi & Lois comic possibly posted sometime between 1980-1987.  That's a lot of pages to sift through.

Born on a Mother's Day

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My previous entry regarding Adam's baby was just a placeholder while I did some research.  Three weeks ago, we were all set up to have a brunch with my Mother, when unforeseen (yet inevitable) circumstances arose - my sister had contractions the day before.

I complained that my sister couldn't hold it in long enough to make it to brunch.  I was later told that pregnancy doesn't work the same way as holding in a crap, even though it feels like crapping a watermelon.
Incidentally, there was a clothing store selling maternity bras called Melons & Clementines that I renamed Blueberries & Watermelons, for the varying sizes between flat-chested and plastic surgery.  As our plans were thrown asunder, the rest of the family was left with me, and I'm hardly the most sociable person even under the best of times.  Not to mention my sister's pregnancy easily beat my dinky greetings card.  There's no way I could possibly compete with that.

The whole incident started when she was feeling what felt like cramps at her husband's sister's BBQ, which apparently was fancy enough to accommodate not just a hot tub, but a trampoline as well.  That's one big backyard.  My sister didn't know it was labor pains at that point - she just worried that the baby might be late.  While I was thinking "j'accuse", she didn't go for a jacuzzi bath, but thought that it might be fun to jump on the trampoline, but opted for small bounces, so the baby wouldn't be violently ejected in mid-air.

If cramps come in regular intervals, that's a sure sign that you're in labor.  If cramps keep acting up, the recommended thing to do is take a warm bath.  Either the contractions will stop or increase.  That wasn't why my sister didn't go in the hot tub earlier - the water was TOO hot.  So when they got home and ran a mid-temperature bath, the contractions didn't stop.  So obviously, she was in labor.  The husband called the hospital at 10 PM, but the contractions were considered too light and far apart to be of any use.  Their analytic method was; if the expectant mother could still talk rationally, then she's not in enough pain to be in labor.

At 2:00 AM, after unsuccessfully trying to fall asleep, the contractions became too painful, so they went to the hospital.  For the most part, the staff was warm and accommodating, save for one woman, the medical examiner.  This woman had long nails on her hands.  Long long long false fingernails that she pulled up over her surgical gloves.  And she stuck those very pointy fingers deep up the other end where the sun doesn't shine.  She kept exploring the exit area, trying and failing to feel her way through if the cervix was ready enough, but kept having trouble.  Finally, she handed her duty over to the doctor, saying she couldn't feel anything.  (Because of the false fingernails)  After all that, the doctor did a quick cursory check, and found out the cervix was dilated to a good... zero centimeters.

In order for the hospital to admit any pregnant mothers, the cervix needs to be dilated a good 4 out of 10 centimeters wide, and my sister was nowhere close to approaching a failing grade, so they sent her home until she could get better results.

To make matters worse, this was not just a regular pregnancy pain, but a Back Labor pain.  Back Labor hurt because the baby is positioned at a sideways angle instead of flat on their front or back.  So every time she had a contraction, her husband would have to lean forward and press down hard on her back to relieve the tension.  In the olden days, trying to signal extreme discomfort could only be accomplished via a telepathic bond between soulmates.  This would be an exercise in futility were it not for the help of a phone App, Full Term, which when pressed, would signal when her contraction started, and when it ended.  Then it would record how long these contractions started and stopped.  The husband literally had her back.

In between contractions, she felt fine.  [Nothing - PAIN - Noting - PAIN]: Goto Line 10, Rinse & repeat.  While in the midst of enduring this faulty genetic human code, she coped by walking up and down stairs to help her labor go faster.  All of this was accomplished in the comfort of home.  By the time they'd gotten through the routine, and was developing contractions every minute, she was still only dilated to three centimeters.

Before leaving for the hospital again, my sister told her husband to eat first, because she didn't know how long she'd take.  Fortunately, there were still leftovers from the Barbecue yesterday, and the hubby reheated some hotdogs and hamburgers onto a combined sandwich plate special.  He started eating his first bites when my sister started having contractions right in front of him, so he had to get up and press down on her back until the pain went away, before sitting down and continue his meal.  Then the contractions started again... possibly as a result of seeing him eat so much meat right in front of her face.  This was repeated several times, though it probably would've been easier to just eat off her back instead of at the table.

Getting to the hospital was just as much of a struggle, because she developed contractions in the front seat with no surefire way to comfortably press on her back without letting one hand free of the steering wheel.
Eventually, they arrived at the hospital without having to be chauffeured by an ambulance, but there was another unexpected obstacle.  The first time they'd arrived, they had to pay for parking.  Now that they'd come again during the daytime, they were no longer eligible for the same spot they'd got last time, and had to pay a higher fee, which was quite the racket.

Once parked, my sister asked for a wheelchair because she was worried about getting hit by another contraction attack along the way to the entrance.  One was found, but it didn't have any footrests, so she had to keep her feet elevated, rather than run her legs underneath like a Flintstones vehicle.  When they finally made it to the front entrance, she was transferred to a better wheelchair, rushed to another floor, and then was told to walk to the examining table.  As if.  Fortunately, she was carried over, where she was examined by a nurse who was better qualified to check my sister's cervix with less stress.

It was still only 3 centimeters wide.

Fortunately, they didn't send them home after all that.  The nurse who made the width checkup stayed with them for the duration of the labor.  Once accepted, the first thing my sister asked for was an epidural.  However, in order to do so, they needed to monitor the baby's heart rate and her contractions for half an hour.  The only problem was, in order to do so, necessitated the expectant mother to be on her back.  Which just so happens to be the WORST possible position for someone experiencing Back Labor.

At this point, my sister's memory is a blank.  She vaguely recalls asking the nurse how much longer the procedure would take, and at the 20 minute mark, the nurse said it was fine.

Once the drugs started to take hold, they only worked on one side of her body at first, so they had to flip her over until both sides were equally under the influence.  After which, she and her husband was finally able to get some sleep after being internally tortured for almost a whole day.  This reprieve lasted two hours, after which the nurse rechecked her cervix again, which she noticed had swelled to "Oh wow, 10 cm!" Even then, they had to wait another hour, because the baby's head was still too high.  They waited for gravity to take effect before starting pushing around 10:30.

Around this time, my sister really wanted her baby to be born before midnight, since it'd be so suitable and funny considering the holiday.  My sister's something of a procrastinator even under favorable circumstances, and works best under total deadline pressure, so she was really racing against the clock here.  Not to mention the nurse's shift ended at 12:00, but she was willing to stick around past then if it meant helping my sister just a little longer, since she'd stuck by her side all this time.

She juuuuust barely made it around 11:56, four minutes before midnight.  When the baby came out so suddenly, the husband said "Holy Crap!" (toned down for children in the audience) and my sister was surprised to see the thing that'd been living inside her for so long that she took her Lord's name in vain.  The baby's head had been stretched out from squeezing through a small entrance that it looked like an alien.  Fortunately, babies are resilient, and bounce back easily, and her skull reshaped itself back to a more familiar form.

This meant that she was born not just on Mother's Day, but also on a Sunday, making her a suitable candidate for my variation of Monday's Child, which I'd created as a Take That to my sister who was born on a Thursday, while I was born on a Wednesday.  When she came out, she also was born with a surprising amount of hair.  My sister was similarly born with not just hair on her head but also on her back, making her "look like a monkey."

When removed from a safe cocoon so suddenly, blankets, as well as a hat was put on the baby's head to keep her warm.  This had the side benefit of absorbing her sweat, which would come in handy later.  After awhile, her husband took the cap off, and drove home and plopped it on the floor, so the cats would get used to the new arrival.  Since cats are generally resistant to any sudden changes, and have strong senses of smell, this was a smart move on his part.  Training cats is not like training dogs - they refuse to adhere to puny human demands.
From Jeffrey Brown's Little Things.
After some further tests, it was also noticed that the newborn baby had borderline jaundiced skin, and had to be put under a sunlamp (with protection wrapped around her eyes) until she got some colour into her cheeks.

But before all that, the mother held her baby girl in her bare arms for some skin-to-skin contact which was important to foster a bond between mother & child.  40 minutes later, she noticed a funny discolouring & smell.  The baby had pooped all over the mother.  She certainly didn't waste any time in relieving herself - a feat she has yet to let up on.  It took two nurses to clean up the mess - one for the mother and one for the baby.  Holy Crap indeed.

I've been told that the first month raising a child is the hardest - waking up every hour demanding to be fed & changed.  Then every two hours, then three.  After which, things would get theoretically easier.  Physically easier maybe, but not emotionally easier.  It's an endurance contest the parents can't possibly hope to win.  At least when my sister does her breastfeeding, she's assured that I'll be only looking at her lips.  Except for when she looks down to see if the baby's done.

For me, the hardest part is not being able to share any recommended comics with my sister, since she's so tired all the time from breastfeeding on demand.  I won't even be able to engage with the kid until she's able to talk and express her opinions.  I'm not very sociable, being woefully inexperienced in that field.  Nromal conversation drains my stamina.  Exercise routines bore me.  The only thing I can do is find suitable books that they'd like.  So what if the baby can't read right off the bat?  There's no disadvantage in getting a head start.

To that end, I looked far and wide in bazaars and garage sales for cardboard page books for early readers that had to follow several requirements:

  • Have appealing artwork
  • Be gender-neutral
  • Non-threatening
  • Not put undue pressure to uphold an ideal (Baby Einstein)
  • Have a diverse cast

I'd greatly identified with the main characters from Quick as a Cricket and Flight of the Navigator, both having worn a striped shirt like me, so it stood to reason that having a protagonist that looked like them would be of great interest to them.  I had to pass over a cardboard baby popup book because the stock baby was too white for my taste.

At least we're assured that the newborn has hearing.  Having a Deaf Grandchild would've been too much for my mother to deal with, after raising two Deaf children.

Secret Secretions

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It's the start of June, which means not just warmer sun-baking mind-melting weather, but also more Not-Gary-Larson Cow Milk ads!  Some of these have been revised so their translations make more sense.
Looks like rain!!
4 Turbo trains, 131 cars, 128 Passengers, 27 Cargo, 5 Dining, Blah blah blah, blah blah blah, blah blah blah...
How can you remember all that?I keep my train of thought!
Have you seen...
PRINCE?  I've been looking for you!
A lick of milk...
A jug of milk...
And thou!

Don't Box Me In

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Muhammad Ali, the definitive boxer of the world, who redefined how to win a fight through strategy, just died.  While other comic fan sites are doubtlessly giving their contribution via posting the rather ridiculous Superman Vs. Muhammad Neal Adams comic, I thought I would take a different take from a lesser-known comic about boxing history from Hincker Blutch, published in a Drawn & Quarterly anthology.




More about the 'gentleman's game' after the cut:











Make Way for Pink Ali

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I waited awhile after my last post to see what other comics would be submitted in celebration of Muhammad Ali (and also to recuperate from an annoying fever) before submitting any additional missed comics of my own.  Since I'm not much of a sports nut, I could hardly be faulted to claim ignorance but felt I should at least portray at least a semblance of trivia.

Fortunately, I found a link that did the job for me - a comprehensive look at not just his impressive career, but also the few times he showed up in MAD Magazine and his inevitable portrayal in Supes Vs. M.A., but also other S-hero comics and his influence beyond in showcasing a broader spectrum of Black S-heroes.  Many who used his template of Angry Opinionated Black Man (Falcon, Luke Cage, John Stewart [Green Lantern], and Black Lightning) to varying results.

His greatest regret was not being able to fight at the height of his athletic ability, when he was busy rationalizing his way out of not serving in the Vietnam war, since "none of the people he'd be fighting had ever done anything to him".  Fortunately, after working his way back into the boxing tournament that he'd been banished from, he managed to win back the championship belt he'd lost.  (Though they never should've been taken from him in the first place)

The general consensus was that despite making great civil right inways and self-promoting confidence for a denigrated minority group, Muhammad Ali was greatly despised by the White community for standing up for his convictions.  It was only after he retired from the boxing world (and couldn't physically fight back) that they started rooting for his cause.  Then, they could claim he was a "credit to his race" without actually acknowledging his accomplishments.

Another uncomfortable stance was his uncompromising position for converting to Islam, which was made more disconcerting considering the 9-11 attacks.  To which, when asked if there was any discomfort about Islamic Terrorists sharing his faith, replied "How do you feel about Hitler's sharing yours?" which sounds like a wonderful counter-argument, until you do some research, and find out that the veracity of the quote is in doubt.  Not to mention there's some dubiousity over Hitler's religion as well.

An example of how things can change over time.  The modern-day text for the above caption changed from Muhammad to George Washington.  While the name change made for a better associated joke, chances are it was in relation to the controversy over certain Danish cartoons that put outraged faithful Islamics into an uproar, who were more concerned over outside parties insulting a prophet, rather than how their religion would be perceived from their overreaction.

Normally, I wouldn't bother mentioning the Superman comic, save for one particular panel that always seemed unusual to me.  The one where Ali is giving a passionate speech, where we see an unusual angle of the inside of his mouth.  It reminded me of another artist, Ryochi Ikegami (who was greatly inspired by Neal Adams) who had unusual angles for the interior of a bear from the pages of Crying Freeman.  Muhammad may have been compared to various animals, but I'm willing to bet a bear wasn't among them.

Ironically enough, his slowing of speech due to his failing health and Parkinson's would've made him a natural talker in New Grappler Baki, where he showed up as a guest celebrity in the later volumes.

 (The last two volumes are just a Humiliation Conga for his son, and should be taken with a grain - make that a pound - of salt.)
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